Showing posts with label Modern. Show all posts
Showing posts with label Modern. Show all posts

Tuesday, March 22, 2011

Modern Cello Music


The cello is the 3rd largest instrument in the modern violin family, after the violin and the viola. Its range is the most similar to the human voice, and for that reason is considered by many to be one of the most beautiful and expressive instruments. It has a place in modern music today, but is still largely viewed as a classical instrument.

Cello's can be found in virtually every genre of modern day music. They have found their way into rock and pop arrangements, jazz, blues folk, indie, and even hip hop. Despite the presence of the cello in these genres, the instrument is still relatively obscure, and there are very few cellists that are prominently at the forefront of any modern musical genre.

Why is this?

The technique that most cellists learn is rooted in a long history of classical tradition. Because the instrument is very old, there is a long established tradition of 'proper' technique. Technique is very important because of the complexity, and relative difficulty of playing the instrument. The cello is bowed, and it is relatively difficult to produce notes with a bow, as opposed to picking a guitar, or hitting a note on the piano. Furthermore, the technique that is taught to cellists to play classical music is not necessarily conducive to the style that is used in modern music.

Rock and roll and hip hop, and most other styles of popular modern music have their roots in Jazz and blues of the late 19th and early 20th century. Rock and roll adapted blues structures to create something very different from the classical western tradition of composition and style. Rock was borne out of a spirit of rebellion and youthful anti-establishment sentiments. The electric guitar is a key element to this, because of the sheer volume of sound that it can create, but also the style of music that it allows. The guitar was originally a classical instrument, but the electric guitar gave guitarists an entirely new realm to explore. The style of playing that rock guitarists use is much different from the 'proper technique' that classical guitarists use.

Similarly, modern cello music employs different styles of playing that aren't taught in the classical tradition. The techniques used are adapted from similar roots, employing slaps and bends that are found in blues and jazz music. Pizzicato bass lines and percussive slaps allow the cello to sound very similar to a stand-up bass found in jazz. Brief arco-glissando's can be employed to sound very similar to the guitar bend technique, which is used to slide into the correct note from a lower note.

One of the last major hurdles to overcome for the adoption of the cello in present day music is singing and playing. The guitar is very widely used as an accompaniment to a singer. Singers that play guitar can play chord progressions to accompany the melody they sing. This is largely possible due to the frets on a guitar. Frets are the horizontal pieces of metal on a guitar neck that ensure that notes are played in tune. The guitarist must simply press his or her finger against the string behind the desired fret and the instrument will produce the right note, as long as it's in tune. The cello however leaves a lot more room for error. Without frets, the cellist must place his or her finger in the exact right place to produce the right note. There is very little room for error, and it's very easy to be out of tune. Add on top of this the difficulty of producing a note with a bow, which is more complicated than picking, and playing two or three simultaneous notes with other fingers, also without frets, and singing at the same time, and it's a much more complicated process.

Despite this added level of difficulty there are still cellists that are venturing into this realm. The incorporation of technology, in the form of loop pedals also opens up a lot of possibilities for cellists. With the use of loops, cellists can record a phrase, which is then played back over an amplifier, and then overdub new parts or harmonies on top of the original loop.

There are still many obstacles for cellists to overcome in order to branch away from classical music into more modern styles. Despite these difficulties there are more and more cellists doing it, and as a result more and more interesting and beautiful music is being made.








Nick Takenobu Ogawa is a cellist, singer, and composer. His music is modern cello music and incorporates a range of styles, including his own lyrics. He has produced one full length album, Takenobu:Introduction, and is soon to release his next album, Takenobu:Expositi. You can read more and listen to his cello music on his blog.


Thursday, March 17, 2011

The Influence of Blues Singers on Modern Rock N' Roll


Ever since the rumors first spread of Robert Leroy Johnson's fabled Faust-like pact with the dark side, the blues seized the attention of society with personal lyrics, touching emotional intensity, and compelling pentatonic chord progressions. However, the howls, growls, and moans of blues singers have influenced vocalists from subsequent genres inside the tradition of rock music.

Blues Music Introduced the Scream to Rock N' Roll

Screaming vocals have become the newest cutting edge in rock music. Kids love the angry, anxious, or frustrated screams of new artists. Bands from genres as diverse as hardcore, punk, metal, and modern rock use varying degrees of harshness in their voice to display raw emotion.

What would Kurt Cobain's vocals have sounded like without the scratchy drawl of B.B. King? Would Marilyn Manson have emerged without the shock-rock antics of Screamin' Jay Hawkins? A brief glance at the history of blues music shows the blueprint for what eventually became rock music.

Bending Notes Chromatically to Build Tension

Bending notes in blues style has become a mainstream tactic on guitar. However, so many singers rely on this same technique. Start on a consonant low note and bend up to the highest point in the key to fill the room with energy. This was a technique first made mainstream by blues vocalists, and it made it all the way into modern rock, soul, and funk vocals.

The use of these chromatic differentiations from the pentatonic rule set almost shows a kinship between blues and jazz. Both styles existed in the underground of pop culture in the first half of the 20th century. Some musicians drifted between the two, and both styles have had significant influence on modern rock as well. Chromatic note relationships can create a sense of anxiety that is relieved when the note lands on more consonant footing.

Emotionally Pure Performances Began with Blues Singers and Continue with Rock Vocalists Today

Iggy Pop flails about like a man possessed. Punk singers wail and beat their chests like people suffering from the loss of a loved one. These intense, dramatic emotional live performance styles draw heavily from the blues singers of yesteryear.

Purity of emotion is often considered the primary benchmark of a rock vocalist's stage presence. In the early 20th century, blues singers were thought to be possessed by evil spirits when their bodies seized up with the awesome power of the blues. Teary eyes and scratchy voices conveyed the truth about the world around them in ways previously disallowed by pop culture.

Rock music took this same spirit and supercharged it. High energy emotional displays incorporated more than just sadness; rage, happiness, and anxiety might be palpable in a live performance by a rock vocalist. The steady back beat still remains in place. This telling ghost of blues' dark past still lurks on stage when any rock singer grabs the microphone.

To perfect modern rock vocal technique, it is important to understand its legacy in the context of its relationship to the blues. We owe much to our forefathers who wailed against oppression from the dark and muddy deltas of the American South.








Mike Barry from Gazzmic writes articles about new media technology, music theory, and the music industry. For individuals interested in investigating the latest in online technology for bands and musicians, please visit: http://www.gazzmic.com

Gazzmic is a revolutionary new content management system for bands that seeks to reinvent the music industry entirely. Gazzmic is currently seeking artists to participate in an invitation-only closed beta program. Participants will be given the opportunity to promote their music over a free custom mobile app platform for the iPhone and Android Market. Musicians can apply for the closed beta by contacting Gazzmic on the company's website.